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Discogs Explorer

Live in Berlin – The Complete RIAS Recordings

By Wilhelm Furtwängler, and Berliner Philharmoniker

Tracklist

  1. Symphony No. 6 In F Major, Op. 68 'Pastorale'
  2. Symphony No. 5 In C Minor, Op. 67
  3. Overture To 'Ein Sommernachtstraum', Op. 21
  4. Violin Concerto In D Major, Op. 61
  5. Orchestral Suite in D major, BWV 1068
  6. Symphony No. 8 In B Minor, D. 759 'Unfinished'
  7. Symphony No. 4 in E minor, Op. 98
  8. Symphony No. 8 In C Minor (2nd Version 1890, Edition Robert Haas)
  9. Overture 'Manfred', Op. 115
  10. Symphony No. 3 in F major, Op. 90
  11. Concerto For Violin And Large Chamber Orchestra
  12. Götterdämmerung, Funeral Music
  13. Die Meistersinger von Nürnberg, Prelude to Act I
  14. Concerto grosso in D minor, Op. 6 No. 10
  15. Variations On A Theme By Joseph Haydn, Op. 56a
  16. Concerto for Orchestra, Op. 38
  17. Symphony No. 3 in E-flat major, Op. 55 'Eroica'
  18. Overture To 'Alceste'
  19. Concerto Grosso In D Major, Op. 6 No. 5
  20. Overture to 'Der Freischütz'
  21. Symphony 'Die Harmonie der Welt'
  22. Symphony No. 3 in E-flat major, Op. 55 'Eroica'
  23. Overture to ‘Rosamunde’, Op. 26, D 644
  24. Concertante Musik For Orchestra, Op. 10
  25. Symphony No. 8 in B minor, D. 759 'Unfinished'
  26. Symphony No. 9 in C major, D. 944 'The Great'
  27. Symphony No. 3 In F Major, Op. 90
  28. Don Juan - Tone-poem For Orchestra, Op. 20 (after Nikolaus Lenau)
  29. Tristan und Isolde
  30. Symphony No. 6 in F major, Op. 68 'Pastorale'
  31. Symphony No. 5 in C minor, Op. 67
  32. Furtwängler On The Art Of Interpretation – Colloquium In The 'Hochschule Für Musik', Berlin | Werner Egk And His Students Interviewing W. Furtwängler
  33. Criteria For Casting Singers
  34. Relationship Between Conductor And Director
  35. Length Of Breaks / Overture To 'Die Zauberflöte'
  36. Musical Tempo
  37. Audience / Musical Intelligence
  38. General Pauses In Bruckner’s Works / Principle Of The Symphony / Future...
  39. "Emotional Music" / Freedom In Music
  40. Universality Of Interpretations / Sound Volume And Size Of Concert Hall
  41. Acoustics Of Opera Houses And Concert Halls
  42. Casting Of Wagnerian Roles / Impact Of Gender / Perfefefction And Charisma
  43. Orchestra Pit – Covered Or Open / The Orchestra As An Accompanying Instrument
  44. The Art Of Accompaniment