Discogs Explorer

Sarah Hughes (2)

Sarah Hughes’ multidisciplinary arts practice, comprising composition, performance, curating and installation, revolves around the relationship between social and environmental systems of cooperation. The work draws from various contexts including ecology, feminist politics, alternative economies, land use, and protest in order to explore speculative systems of organisation and collaboration as the ground for social change. Hughes’s work has been exhibited and performed internationally, including at South London Gallery, Punt WG Amsterdam, Cass Sculpture Foundation, Supplement, and Modern Art Oxford. Her compositions have been performed by various ensembles and at various festivals including London Contemporary Music Festival, Music We'd Like To Hear, and Huddersfield Contemporary Music Festival. Realisations of her compositions have been published by Another Timbre, Suppedaneum, Melange Editions, and Consumer Waste.

Releases

• In A Tissue
• I Love This City And Its Outlying Lands
• Untitled For Four
• Sifr
• Architectural Model Making
• Live At Cafe Oto Project Space
• Recorded At Cafe Oto Project Space
• Accidents Of Matter Or Of Space
• The Good Life
• No Islands
• Droplets
• For Loris
• Western Harvester Ants / Is
• Only [Harmony Series #17]
• Or Valleys And
• Correspondences
• Distinctions
• Transversal Time
• Pell-Mell The Prolix
• Ockeghem Octets
• Traces Of Four
• Goldsmiths
• Stopcock
• The Crystal At The Lips
• Four Compositions, 2011-2015
• Senu Hima
• Location Composite #6
• Stay Tuned
• Cartridge Music
• Pictures Of Men.
• Cantor Quartets
• Loris And David Lacey
• Wandelweiser Und So Weiter
• Set Ends
• For Loris
• Bestiaries
• Live At The Blurred Edges Festival, Hamburg, 01/05/2010
• Fields Have Ears
• The Cat From Cat Hill
• Correspondences
• Stopcock
• Senu Hima
• Below The Radar ...A Quiet Position Edition Two
• Compilation #2